One massive roguelike - Tales of Maj'Eyal

NOTICE: The version of the game reviewed is the paid version, including the Ashes of Urh'Rok DLC, your experience with the base game may vary.

Tales of Maj'Eyal, Which I'll be calling TOME from now on, is interesting in that it's both a very young game, and a very old one. It started life in the 90s as a variant of the game Angband called  Pernband, based of the Pern series of books. Now, the Pern series is know for having a somewhat strained relation with it's fans at times, so it's no surprise that Pernband got slapped with a cease and desist letter. In the face of this, the game was reborn as Tales of Middle Earth, throwing out Pern and replacing it with things form Tolkien's writings, and was developed as this for years.

This actually continued up until 2010, when the game was recreated again, this time as Tales of Maj'Eyal, which is what I'm reviewing here. The developer did this for two reasons: First, it removed any possibility of the game getting a second cease and desist letter thrown at it and second, it allowed for parts of the game that didn't quite mesh with the Middle Earth setting, such as time magic and Psionic powers to make a lot more sense.

TOME is a roguelike that takes place on the continent of Maj’Eyal, currently in a time of relative peace after hundreds of years of war. Surprisingly, for a genre that's usually pretty light on story, there's actually a lot of it here, mostly told in letters and scrolls you find on your travels. There's actually a lot if information with each area of the game having it's own lore snippets to find and Despite spending several hours with this game, I've barely seen what it has to offer story-wise, there's that much info to take in.

Each dungeon in the game has several lore snippets, like this one here.

At it's core, TOME is roguelike dungeon crawler, complete with permadeath, interesting, the game has a few departures from typical roguelikes. The first is that the game has no consumables, there's no potions or scrolls. Instead you have infusions which you an equip and use. They work a lot like potions in other roguelikes, doing things like restoring hit points or decreasing damage for several turns, except instead of being used up, they go on cooldown for several turns after use. It's actually a pretty nifty system, as you never have to worry being cheated on potions, but you can't just spam your infusions when in trouble. In fact, to further discourage that, using an infusion grants a temporary debuff that increases the cooldown of other infusions.

On top of that, there's also the dungeons, instead of a single dungeon to get to the bottom of, TOME has several dungeons, with an overworld to connect them all. The dungeons are quite varied, from woods to a giant labyrinth. Some even have unusual gimmicks, like an underwater dungeon where you have to watch your air levels, or a den of sandworms where you need to rely on the worms that live there to dig new paths for you and if you're not quick enough, they'll collapse behind you.

Dungeons are varied not only in appearance, but enemies and floor layout/

The game also has a lot of race and class options. Not only are there typical classes like berserk or rogues, but there's also a lot of unique ones. One of the classes I tried was called the cursed, a fighter who's surrounded by a cloud of gloom, powered by raw hate, that debuffs enemies who get too close to you. There's also alchemists, who have a golem to help protect them and can make powerful explosives out of gems found in dungeons.

While you start with a few options available, You also have to unlock races and classes by doing various things, which range from the simple, such as killing 1,000 humanoids across all of your games, to the very difficult, One race in the Ashes of Urh'Rok DLC requires killing three very tough optional bosses in the same game.

The game also comes with several difficulty settings, the most unique of which is the permadeath setting. Alongside traditional permadeath and an exploration mode that gives you unlimited lives, There's also an adventure mode. Adventure mode is a sort of compromise between exploration and roguelike modes, you are given extra lives as you level up, but once you run out, the next death is permanent so there's a lot of options available to either turn the difficulty down for newcomers, or crank it up if your looking for an extra challenge.

TOME has a lot of character options to chose form. Also shown: proper dwarven naming.

The games graphics are pretty good. The game is tile based and the tiles are nice and detailed, with plenty of tile sets for the game's varied areas, there's even some nice splash images for loading screens and the occasional background image. There is however a small problem in that nothing is animated, all the tiles are static. Though the game does make up for this with spell and ability effects, providing some nice particle effects to give some extra oomph to your spells and abilities.

The game also has a good soundtrack, leaning towards an epic orchestral score. Each area has it's own theme, and while I encountered some minor issues with songs not quite looping properly - there was a small pause when the track restarts - Everything fits the game and is nice to listen to. The sound design is also decent, with some areas having some atmospheric sounds and a decent number of effects for various spells and abilities, though in my experience the game focuses more on visual than audio cues, which is fine as this is a turn based game, so you have all the time you need to take note of things.

The overworld connects the various dungeons together.

The game is pretty solid and I didn't encounter any real bugs. The only major flaw I can think of is that the game is massive, and that's great that there's so much content but it's also perhaps a bit too big for it's own good. While the dungeons I entered were fairly short, usually only about three floors each, there's a lot of them and unless you're playing with exploration mode on, you have some form of permadeath to deal with. I know roguelikes are supposed to be difficult and that's fine, but trying to beat a game this big on one life, or even several in adventure mode, feels like it might be a bit too tall an order. For those used to games like Dungeons of Dredmor or Sword of the Stars: The Pit? You've got a long, hard trek ahead of you and it'll take a good bit of effort to start seeing mid and late game areas.

Also, I should take a moment to talk about payment, since the game's payment system is a little odd. The base game is actually free and open source, you can however, donate to the game to help development and keep the servers running. Paying also gets you some minor perks such as access to the exploration mode mentioned above, and the stone Warden class. Finally, you can buy DLC such as the Ashes of Urh'Rok DLC. You can find more information on this on the game's donate page here. Note that buying the game off Steam or GoG gives the same benefits as donating, as well as giving you access to the game through those platforms.

Overall this is a very big, complex roguelike that's a definite must play for fans of the genre. There is a lot of content here, so much that I actually feel a bit under prepared for reviewing it. Though I could likely spend a hundred hours on this and still feel the same way. Not only that, but the game is still in active development, so there's new content being released and/or old content being updated all the time. This is a game you could readily spend hundreds if not thousands of hours on. Lifetimes could be lost to this thing and with the base game being free, there's little excuse not to try it at least once.

Tales of Maj'Eyal developed and published by DarkGod. It is available on Steam, GoG, Desura and Gamersgate. It's homepage, which includes a direct purchasing option is available here.

When you play it, you'll shoot bricks - Hyper Princess Pitch

It's December, the holiday season, Christmas is in a few weeks, with the new year right behind it. the snow and cold means it's a good time to stay indoors and play some games. It also means idiots like me running stupid little blogs nobody reads are required to review Christmas games. Well, I say that but the truth is I've got a good Christmas themed game, one that I like to play for a bit each year and while my medical issues mentioned in my last post prevent me from readily playing and reviewing games for the time being, I figured rather than close the year here on that, I should try to put aside some time and pull myself together to give this game a review.

Hyper Princess Pitch is a top down action game based on an old action games like Smash TV, or the old DOS Operation: Carnage, which the developer says this title is a remake of. I'll admit I have never played operation Carnage and am not very familiar with it. but I don't think that's too important to enjoy the game, just under stand that this is a fast paced, arena based top down shooter and you'll have a good idea of what you're in for.

When a game starts with a scene like this, you know you're in for one hell of a ride.

The game has a simple story. you play as Princess Pitch who, along with her legless, jet powered cat named Catstrike, head to the north pole to rampage through the factories of Mecha Santa in an attempt to stop Christmas, because she never got any presents. while the story is mostly just an excuse to run around shooting things, I have to hand it to developer for coming up with a completely insane story that sets the tone for the rest of the game.

Gameplay in Hyper Princess Pitch is fairly simple. Each of the games stages are broken into several rooms, each room being a sort of set piece, with waves of enemies that swarm into the room that you have to defeat to move on. An interesting feature is that while the game boasts about 70 rooms to paly through, you don't see them all in one game, instead each room can have multiple exits, leading to each stage having several branching paths. it leads to a good amount of replayability as it will take several playthroughs to see all the rooms.

enemies like to attack in huge swarms

To clear the rooms, you have several weapons at your disposal. Starting with a basic gun that shoots bricks. Yes, bricks. you also have a rainbow gun that shoots bouncing projectiles, and an ice gun that has a short range, but can destroy some projectiles. There's also several powerups, giving you temporary access to abilities like spread fire or extra movement speed, or even an airstrike from your cat Catstrike to clear out large waves of enemies. while there's only a few weapons and powerups, each one feels unique and nothing feels redundant or useless.

The game also has plenty of enemies to fight. from killer elves and tops, to trains and sleighs armed with cannons, some rooms even have unique or rare enemies not readily found anywhere else in game. this culminates in the boss, which are as crazy as the rest of the game, wither it's a massive robot elf or cat headed tank, each boss is massive, filling most of the arena and takes some effort to bring down. there's also what happens when you beat the bosses that While I won't say what happens as I think it's best if you see it yourself, I will say it involves a lot of explosions and is fitting over the top for a game like this.

Some rooms like this, offer some unique challenges

The game uses pixel graphics and while it is Christmas themed, it handles it in a slight unusual way. This is a Mecha Santa we're dealing with and the game's graphics reflect it with you fighting off elves and Santa hats in giant metal factories. graphics for the most part are simple and fairly clean, every thing is nice and colorful, and simple enough that the details don't detract from the frantic action on screen.

The sound in the game is fairly retro, all bleeps and bloops that fit the game nicely, and don't become annoying when the action gets heated, there's even a few lines of voice acting which are suitibly over the top and fit the tone of the game nicely. The music however, is easily the games greatest strength. interestingly, Hyper princess Pitch does not use Christmas music, but instead has an original score that consists of some rocking chiptunes that while somewhat short, are a lot of fun to listen to and back the action perfectly.

Each stage ends in a fight against a large boss

The game surprisingly doesn't have any major flaws. i haven't encountered any bugs, helped by the fact that the developer still supports it, releasing a new patch about once a year or so two tweak things. The game even has two separate executables to make sure it's compatible with as many systems as possible, which is amazing given this game is a small freeware Christmas game. The game is fairly short, but is built around replayability with local high scores and multiple difficulty levels to play through. Plus it's free, meaning it's not like you're paying anything to start with.

Overall. If you want a good game to play around Christmas time, this is it. it's fun, crazy, highly replayable, and is freely available for download. It's even a very small download, only about 20mb zipped. so there's very little reason not to go and give this thing a try.

Hyper Princess Pitch was developed and published by Remar Games. It is available from the developer here. it's soundtrack is available on Bandcamp.

This game kicks ASCII - SanctuaryRPG

NOTICE: This review is based on the free version of Sanctuary RPG, and does not account for content added in the Black Edition, which was not available at the time this review was written.

As I've said before, one of the reasons I started this blog was to steer people towards interesting games that have flown under the radar, and when it comes to being both interesting and under the radar. a retro text based rpg that's not on steam would be a hard thing to top.

SanctuaryRPG is very much a weird game, a text based RPG that plays with a keyboard only. You'd think it was a VERY old game from the early 80s or even the late 70s, but it was actually made in 2010. It's not quite a roguelike thought it takes some inspiration from them. The closest comparison I can think of is old BBS door games if you've ever played any of those: text only, turn based, and based mostly around menus.

I wasn't kidding about the text. This is the entire title screen

As an RPG, the game gives you a surprising amount of options upon starting a new game. On top of choosing a race or class, of which there's plenty of both, you also get to choose what kind of game to play. You can choose if you want permadeath or not, or to play a survival mode which has you keep fighting battles until you die. Your choice has some minor effect on the game outside of difficulty. playing without permadeath gives you a slight penalty to item drops, and you can't unlock augments, which are small bonuses you can pick on starting a new character.

The gameplay is based heavily around navigating menus. You're given a list of the actions you can take at any point, and go from there. Want to visit the blacksmith? Chose the blacksmith option to bring up the menu for it. Crafting? You've got an option for that. Need to check your stats? Character menu. Since the game is purely keyboard based, it helps keep the controls nice and simple. There's not really any commands to remember, just look at the menu, tell the game what you want, and off you go.

you'll be seeing a lot of menus like this in game.

Combat in the game is also menu based, and it's surprisingly good. Combat is based off chains of attacks and focuses on managing resources. Many attacks cost mana, so you need to avoid running out, though you can readily recharge it by choosing to reposition instead of attacking, at the same time, you might need to reposition to break an opponent's guard or use a turn to break free of a bind. There's also special options like focus or grapple that can show up under certain circumstances. This keeps combat interesting; you have to consider your options fairly carefully, as if you just spam attacks you could get penalized for missing a grapple opportunity, or find yourself unable to reposition when an enemy is charging you.

The game also has some other options outside of normal combat, you can run a tavern to gain gold and experience, there's an area that occasionally creates random dungeons, basically a string of harder than normal fights in return for a prize, and there's a crafting system. As you play, you'll gain various materials you can use in a crafting minigame, the result of which decide how powerful the resulting item is, though the item is unfortunately still somewhat random. You can choose the base type, like a weapon or armor, but not exactly what kind of stats it'll have. you even have a crafting skill that levels up independently of your main level, there's more than enough here to do outside of the usual fighting.

The crafting minigame lets you make new items, though the results are somewhat random

Graphically... well, technically the game has no graphics as it's all text based. That said the game uses a lot of ASCII art and colored text and despite how primitive it is, it's very nice looking. The game manages to throw in some little animated sequences for some things, and many screens have some sort of art to accompany them. Even when the screen is mostly a menu, the game includes various boarders and windows to organize things so it's not just a wall of text to read. The end result is a game that's not half bad looking despite how primitive the graphics are.

The game also has a pretty nice soundtrack, it's all chiptune music that goes along with the retro text aesthetic nicely. The music makes heavy uses of square waves and is just a little scratchy so it sounds like it's from an older game. The battle themes, which you'll likely be hearing most often, are all very catchy and fun to listen to. The Game's sound is very minimal, but is a lot like the music, most of it is small jingles that play for certain events, but what few sounds are actually there are somewhat scratchy and low quality, overall the game really nails the look and feel of older games.

Enemies can have random modifiers, that change how they fight.

The game also fortunately runs very well. I didn't encounter any real bugs and since the game is text based, there's virtually no system requirements. The main problem I have with the game is there's no inventory for equipment, when you find new equipment, you have to equip or salvage it for crafting materials right then and there. Also there's no mouse support. I realize that's likely going against the game's retro ideology, and to be honest the game works just fine keyboard only. It doesn't NEED mouse support, but as the game is all menus it'd be nice if I could simply click through them. Call me lazy I guess.

In recommending this game, I have to admit that it leans somewhat on it's gimmick. This is a game that sells itself on using ASCII art and chiptunes in an age of 3D graphics. To it's credit however, it's not purely reliant on it. Underneath all that text and keyboard-only interface is a surprisingly good RPG that manages to accomplish quite a bit within the limitations the Devs put forward. Plus, as of this writing the game can be downloaded free off their homepage and is pretty cheap everywhere else so by all means, give this thing a spin and if you like it? Go buy it, it only costs a dollar or two.

Sanctuary RPG was developed and published by Black Shell Games. It is available on Desura and directly from the developer. It's soundtrack is available on Bandcamp. it's homepage is available here.

An upgraded version of SanctuaryRPG, called SanctuaryRPG: Black Edition, is available on Steam.